The murch which Tibor McMasters painted did slowly become known throughout the world and was at last rated as equal to the works of the great masters of the Italian Renaissance, most of which were known in the form of prints, the originals having been destroyed.
Seventeen years after Tiber's death, an official pronouncement of authentication was made by the Servants of Wrath hierarchy. It was indeed the visage of the God of Wrath, Carleton Lufteufel. There could be no doubt. Any disputing this was henceforth illegal and carried a penalty of emasculation for men, one ear removed for women. This was to insure reverence in an irreverent world, faith in a society which had become faithless, and belief in a world which had already discovered that most of what it believed were in actuality lies.
At the time of his death, Tibor was subsisting on a small annual pension from the Church, plus a guaranteed maintenance of his cart, with alfalfa hay for two cows: because of the excellence of his work he was given two cows, not one, to pull his cart. When he passed by, people recognized him and hailed him. He gave out a laborious autograph to tourists. Children yelled at him and did not jeer; Tibor was liked by everyone, and although he became eccentric and irascible in his old age, he was considered an asset to the community. . . this despite the fact that after rendering the true portrait of the God of Wrath he never painted anything of note again.
It was said that among his effects were certain diary-like entries he had jotted down from time to time, in which, to himself alone, he had expressed toward the end certain reservations as to the authenticity of his own great murch. However, no one saw such personal holographs. If they existed at all, the Servants of Wrath who sequestered his corpus of papers either filed them away behind locked metal doors or, more likely, destroyed them.
His last two cows were killed and stuffed and placed, one on each side of his great murch, to gaze solemnly -- and glassily -- at the tourists who came to pay homage to the renowned painting. Tibor McMasters himself was finally made a saint of the Church. His grave site is unknown. Several cities proudly claim it.
Scan Notes, Version 4.0:This book was especially difficult to proof because of the irregular grammer and punctuation used throughout. Please do not attempt to proof this further without a DT copy, as theree were several items that looked obviously wrong, but matched the book... and because of the weirdness of the text, I was not sure whether they were actual mistakes or intentionally done. Still, this was carefully proofed against the DT almost line-for-line and so should be very close to a perfect copy.