The earliest history of film. The illusion of movement was first noted in the early 19th century. In 1824 the English physician Peter Mark Roget published an article the persistence of vision with regard to moving objects. Many inventors put his theory to the test with pictures posted on coins that were flipped by the thumb, and with rotating disks of drawings. A particular favorite was the zoetrope, slotted revolving drum through which could be seen clowns and animals that seemed to leap. They were hand drawn on strips of paper fitted inside the drum. Other similar devices were the hemitrope, the phasmatrope, the phenakistoscope, and the praxinoscope.
It is not possible to give any one person credit for having invented the motion picture.
In the 1880s the Frenchman Etienne Jules Marey developed the rotating shutter with a slot to admit light, and George Eastman, of New York, developed flexible film. In 1888 Thomas Edison, of New Jersey, his phonograph for recording and playing sound on wax cylinders. He tried to combine sound with motion pictures. Edison s assistant, William Dickson, worked on the idea, and in 1889, he both appeared and spoke in a film. Edison did not turn his attention to the projected motion picture at first. The results were still not good enough, and Edison did not think that films would not have large appeal.
Instead he produced and patented the kinetoscope, which ran a continuous loop of film about 15 meters 50 feet long. Only one person could view it at a time. By 1894, hand-cranked kinetoscope appeared all over the United States and Europe. Edison demonstrated a projecting kinetoscope. The cinematograph based on Edison s kinetoscope was invented by two Frenchmen, Louis and Auguste Lumiere.
This machine consisted of a portable camera and a projector. In December 1895, The Lumiere brothers organized a program of short motion pictures at a Parisian cafe.