The Subjunctive Mood

§ 239. Probably the only thing linguists are unanimous about with regard to the subjunctive mood is that it repre­sents an action as a 'non-fact', as something imaginary,

¹ M. Bryant, op. cit., p. 20.

² А. И Смирницкий, op cit , p 361.

³ О Есперсен. Философия грамматики. M., 1958, p.

243.

desirable, problematic, contrary to reality. In all other re­spects opinions differ.

To account for this difference of opinion it is necessary to take into consideration at least two circumstances:

1) The system of the subjunctive mood in Modern English
has been and still is in a state of develompent. There are many
elements in it which are rapidly falling into disuse and there
are new elements coming into use.

2) The authors describing the subjunctive mood often
make no distinction between language and speech, system
and usage. The opposition of the three moods as systems is
mixed up with detailed descriptions of the various shades
of meaning certain forms express in different environments.

§ 240. The development of the modal verbs and that of the subjunctive mood — the lexical and morphological ways of expressing modality ^] — have much in common.

The original 'present tense' forms of the modal verbs were ousted by the 'past tense' forms (may, can). New 'past tense' forms were created (could, might, must, ought). The new 'past tense' forms must and ought have again superseded their 'present tense' opposites and are now the only forms of these verbs.

The forms be, have, write, go, etc., which were originally forms of the 'present tense', 'subjunctive mood' grammemes, have suffered a similar process and are now scarcely used in colloquial English. They have become archaic and are found as survivals in poetry, high prose, official documents and certain set expressions like Long live ..., suffice it to say..., etc. The former 'past tense subjunctive' has lost its 'past' meaning, and its forms'are mostly used to denote an action not preceding the moment of speech.

The new analytical forms with should have replaced the former present subjunctive in popular speech. Compare the archaic Take heed, lest t ho и fall (Maxwell) and the usual Take heed, lest you should fall.

In American English where many archaic features are better preserved (Cf. gotten for got) the former present tense forms are more common.

•

E. g. She demanded furiously that the old man be left alone. (Dreiser).

See § 330.

§ 241. Some new elements have come and are still coming inte the system of the subjunctive mood. In Old English the subjunctive mood system did not contain any 'person' oppos­emes. They were introduced later together with should and would, but these distinctions are observed only in a few types of sentences.

With the loss of the -en suffix of the plural the subjunctive mood system lost all number opposemes in Middle English. At present such opposemes are being introduced together with the word was as opposed to were.

E. g. You'dbe glad if I w a s dead. (Bennett).

§ 242. Barring the archaic 'present tense' forms, the subjunctive mood system of Modern English makes use of those forms which express a 'past tense' meaning in the indic­ative mood system. Since they-are not opposed to the 'pre­sent tense' and 'future tense' grammemes, they have no 'tense' meaning. What unites them is the meaning of 'irreal­ity' as opposed to the meaning of 'reality' common to all the indicative mood gra'mmemes."

Having no 'tense' opposemes the subjunctive mood system makes extensive use of 'order' opposemes. The 'perfect' forms are used to express an action imagined as prior to some other action or event.

E. g. The'Married Woman's Property Act would so have interfered with him if he hadn't mercifully married before it was passed. (Galsworthy).

The 'perfect' forms, naturally, express actions imagined as prior to the event of speaking, i. e. actions imagined in the past.

E.g. If I had known that, I should have acted differently. It is strange that he s ho ul d have spoken so.

The non-perfect forms do not express priority. The action they denote may be thought of as simultaneous with some event or even following it. The order of the action in such cases is expressed not by the form of the verb but by the whole situation or lexically.

Cf. / wish he were here now. I wish he w e r e here to­morrow. Even if he с а т e to-morrow that will be too lerte. (Ruck).

§ 243. The 'passive voice' and 'continuous aspect' mean­ings are expressed much m the same way as in the indicative mood system.

E. g. In a moment he would have b e e n drewned. (Braddon).

She sat not reading, wondering if he w e r e с в т -i n g in... (Galsworthy).

§ 244. The various shades of meaning subjunctive mood grammemes may acquire in certain environments, and the types of sentences and clauses they are used in, are not part of the morphological system of moods and need not be treated here. Still an exception can be made.

Some linguists ¹ think that would help in the sentence // he were here he w о и I d h e I p us represents a separate mood called 'conditional'.

The arguments are as follows:

1. The form would help expresses 'dependent unreality':
the realization of the action depends on the condition expressed
in the subordinate clause ((/-clause) ².

2. It is 'mainly used in the principal clause
of a complex sentence with a subordinate clause of и n r e a I
condition' ³.

3. Should is used for the first person and would for the
other persons ⁴.

Let us analyse these arguments.

1. If the meaning of 'dependent unreality' is to be treated
as the meaning of a separate mood, then the meaning of
'dependent reality' in a similar sentence // he is here, he will
help us must likewise be regarded as the meaning of a separate
mood which is to be distinguished from the indicative mood.
The meaning of tell in the sentence // you see her tell her to
come can also be defined as 'dependent urging' and be regard­
ed as the meaning of a separate mood distinct from the
imperative mood.

2. The second argument deals with speech environment
and is of little value since the same authors produce examples
of the 'conditional mood' in different types of sentences.

¹ Л. И Смирницкий, op. cit., p. 351; M. Ganshina, N. Va-
silevskya, op. cit., p 169.

² M. Ganshina, N. Vasilevskaya, op. cit., p. 170.

³ Ib. p. 169—170.

⁴ А. И. С m и p h и ц к и и, op. cit., p. 350—351.

^ 153

Would you mind my opening the window? ¹ I should I i k e to speak to you,² etc.

3. The third argument is justly rejected by G. N. Vo-
rontsova who produces many literary examples to show that
'would-iorms' are used with the first person as often as
' shoutd-iorms' ³.

E. g. If I had held another pistol in my hand I would have shot him. I w о и I d I o v e to think that you took an interest in teaching me ... I wish I had a lot of money, I w о и I d n' t live another day in London. (Galsworthy).

Besides, the popular use of forms with -'d instead of should and would shows the oblitaration of 'person' distinc­tions.

4. The name conditional hardly fits, seeing that the forms
with should—would are as a rule not used in conditional
clauses. They are mostly used in principal clauses or simple
sentences, which distinguishes their distribution from that
of forms without should — would used almost exclusively in
subordinate clauses.

E. g. After all, ifhelostitwould not be he who paid. (Galsworthy). Under normal conditions Winifred would merely have locked the door. (Ib.).

§ 245. The difference between the two sets of opposemes /had written (order)

wrote

-were written

(voice)

 

should write

were writing (aspect) should have written (order) should be written (voice) should be writing (aspect) would write (person, irregular)

'А И Смирницкий, op cit,p 352

² M Ganshina, N. Vasilevskaya, op cit , p 175.

³ Op cit , p. 289.

is thus a matter of usage. That does not exclude, of course, the possibility of a language category with speech signifi­cance (cf. the categories of case, voice). Hence the necessity of further investigation.

§ 246. What unites all the grammemes above and distin­guishes them from the homonymous grammemes of the indic­ative mood as a system is

1) the meaning of "non-fact", the presentation of the action
as something imaginary,

2) the system of opposemes, as contrasted with that of
the indicative mood.