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Marriage a la Mode

Marriage a la Mode - раздел Связь, Предлагаемое пособие разработано для развития навыков опосредованного перевода и устной речи слушателей программы дополнительного профессионального образования «Переводчик в сфере профессиональной коммуникации» On His Way To The St...

On his way to the station William remembered with a fresh pang of disappointment that he was taking nothing down to the kiddies. Poor little chaps! It was hard lines on them. Their first words always were as they ran to greet him, "What have you got for me, daddy?" and he had nothing. He would have to buy them some sweets at the station. But that was what he had done for the past four Saturdays; their faces had fallen last time when they saw the same old boxes produced again.

And Paddy had said, "I had red ribbing on mine bee-forel"

And Johnny had said, "It's always pink on mine. I hate pink."

But what was William to do? The affair wasn't easily settled. In the old days, of course, he would have taken a taxi off to a decent toyshop and cho­sen them something in five minutes. But nowadays they had Russian toys, French toys, Serbian toys— toys from God knows where. It was over a year since Isabel had scrapped the old donkeys and en­gines and so on because they were so "dreadfully sentimental" and "so appallingly bad for the babies' sense of form."

"It's so important," the new Isabel had explained, "that they should like the right things from the very beginning. It saves so much time later on. Really, if the poor pets have to spend their infant years staring at these horrors, one can imag­ine them growing up and asking to be taken to the Royal Academy."

And she spoke as though a visit to the Royal Academy was certain immediate death to anyone...

"Well, I don't know," said William slowly. "When I was their age I used to go to bed hugging an old towel with a knot in it."

The new Isabel looked at him, her eyes nar­rowed, her lips apart.

"Dear William! I'm sure you did!" She laughed in the new way.

Sweets it would have to be, however, thought William gloomily, fishing in his pocket for change for the taxi-man. And he saw the kiddies handing the boxes round—they were awfully generous little chaps—while Isabel's precious friends didn't hesi­tate to help themselves...

What about fruit? William hovered before a stall just inside the station. What about a melon each? Would they have to share that, too? Or a pine-apple for Pad, and a melon for Johnny? Isabel's friends could hardly go sneaking up to the nursery at the children's meal-times. All the same, as he bought

the melon William had a horrible vision of one of Isabel's young poets lapping up a slice, for some reason, behind the nursery door.

With his two very awkward parcels he strode off to his train. The platform was crowded, the train was in. Doors banged open and shut. There came such a loud hissing from the engine that people looked dazed as they scurried to and fro. William made straight for a first-class smoker, stowed away his suit-case and parcels, and taking a huge wad of papers out of his inner pocket, he flung down in the corner and began to read.

"Our client moreover is positive... We are inclined to reconsider ... in the event of—" Ah, that was better. William pressed back his flattened hair and stretched his legs across the carriage floor. The familiar dull gnawing in his breast quietened down. "With regard to our decision—" He took out a blue pencil and scored a paragraph slowly.

Two men came in, stepped across him, and made for the farther corner. A young fellow swung his golf clubs into the rack and sat down opposite. The train gave a gentle lurch, they were off. William glanced up and saw the hot, bright station slipping away. A red-faced girl raced along by the carriages, there was something strained and almost desperate in the way she waved and called. "Hysterical!" thought William dully. Then a greasy, black-faced workman at the end of the platform grinned at the passing train. And William thought, "A filthy life!" and went back to his papers.

When he looked up again there were fields, and beasts standing for shelter under the dark trees. A wide river, with naked children splashing in the shallows, glided into sight and was gone again. The sky shone pale, and one bird drifted high like a dark fleck in a jewel.

"We have examined our client's correspondence files..." The last sentence he had read echoed in his mind. "We have examined..." William hung on to that sentence, but it was no good; it snapped in the middle, and the fields, the sky, the sailing bird, the water, all said, "Isabel." The same thing happened every Saturday afternoon. When he was on his way to meet Isabel there began those countless imaginary meet­ings. She was at the station, standing just a little apart from everybody else; she was sitting in the open taxi outside; she was at the garden gate; walking across the parched grass; at the door, or just inside the hall.

And her clear, light voice said, "It's William," or "Hillo, William!" or "So William has come!" He touched her cool hand, her cool cheek.

The exquisite freshness of Isabel! When he had been a little boy, it was his delight to run into the garden after a shower of rain and shake the rose­bush over him. Isabel was that rose-bush, petal-soft, sparkling and cool. And he was still the little boy. But there was no running into the garden now, no laughing and shaking. The dull, persistent gnawing in his breast started again. He drew up his legs, tossed the papers aside, and shut his eyes.

"What is it, Isabel? What is it?" he said tender­ly. They were in their bedroom in the new house. Isabel sat on a painted stool before the dressing-table that was strewn with little black and green boxes.

"What is what, William?" And she bent for­wards, and her fine light hair fell over her cheek.

"Ah, you know!" He stood in the middle of the strange room and he felt a stranger. At that Isabel wheeled round quickly and faced him.

"Oh, William!" she cried imploringly, and she held up the hair-brush. "Please! Please don't be so dreadfully stuffy and—tragic. You're always say­ing or looking or hinting that I've changed. Just because I've got to know really congenial people, and go about more, and am frightfully keen on—on everything, you behave as though I'd"—Isabel tossed back her hair and laughed—"killed our love or something. It's so awfully absurd"—she bit her lip—"and it's so maddening, William. Even this new house and the servants you grudge me."

"Isabel!"

"Yes, yes, it's true in a way," said Isabel quick­ly. "You think they are another bad sign. Oh, I know you do. I feel it," she said softly, "every time you come up the stairs. But we couldn't have gone on living in that other poky little hole, William. Be practical, at least! Why, there wasn't enough room for the babies even."

No, it was true. Every morning when he came back from chambers it was to find the babies with Isabel in the back drawing-room. They were having rides on the leopard skin thrown over the sofa back, or they were playing shops with Isabel's desk for a counter, or Pad was sitting on the hearthrug rowing away for dear life with a little brass fire-shovel, while Johnny shot at pirates with the tongs. Every evening they each had a pick-a-back up the narrow stairs to their fat old Nanny.

Yes, he supposed it was a poky little house. A little white house with blue curtains and a window-box of petunias. William met their friends at the door with "Seen our petunias? Pretty terrific for London, don't you think?"

But the imbecile thing, the absolutely extraordi­nary thing was that he hadn't the slightest idea that Isabel wasn't as happy as he. God, what blindness! He hadn't the remotest notion in those days that she really hated that inconvenient little house, that she thought the fat Nanny was ruining the babies, that she was desperately lonely, pining for new people and new music and pictures and so on. If they hadn't gone to that studio party at Moira Morrison's—if Moira Morrison hadn't said as they were leaving, "I'm going to rescue your wife, selfish man. She's like an exquisite little Titania"—if Isabel hadn't gone with Moira to Paris—if—if...

The train stopped at another station. Bettingford. Good heavens! They'd be there in ten minutes. William stuffed the papers back into his pockets; the young man opposite had long since disappeared. Now the other two got out. The late afternoon sun shone on women in cotton frocks and little sun­burnt, barefoot children. It blazed on a silky yellow flower with coarse leaves which sprawled over a bank of rock. The air ruffling through the window smelled of the sea. Had Isabel the same crowd with her this week-end, wondered William?

And he remembered the holidays they used to have, the four of them, with a little farm girl, Rose, to look after the babies. Isabel wore a jersey and her hair in a plait; she looked about fourteen. Lord!

how his nose used to peel! And the amount they ate, and the amount they slept in that immense feather bed with their feet locked together... Wil­liam couldn't help a grim smile as he thought of Isabel's horror if she knew the full extent of his sentimentality.

 

"Hillo, William!" She was at the station after all, standing just as he had imagined, apart from the oth­ers, and— William's heart leapt—she was alone.

"Hallo, Isabel!" William stared. He thought she looked so beautiful that he had to say something. "You look very cool."

"Do I?" said Isabel. "I don't feel very cool. Come along, your horrid old train is late. The taxi's outside." She put her hand lightly on his arm as they passed the ticket collector. "We've all come to meet you," she said. "But we've left Bobby Kane at the sweet shop, to be called for."

"Oh!" said William. It was all he could say for the moment.

There in the glare waited the taxi, with Bill Hunt and Dennis Green sprawling on one side, their hats tilted over their faces, while on the other, Moira Morrison, in a bonnet like a huge strawberry, jumped up and down.

"No ice! No ice! No ice!" she shouted gaily.

And Dennis chimed in from under his hat. "Only to be had from the fishmonger's."

And Bill Hunt, emerging, added, "With whole fish in it."

"Oh, what a bore!" wailed Isabel. And she explained to William how they had been chasing

round the town for ice while she waited for him. "Simply everything is running down the steep cliffs into the sea, beginning with the butter."

"We shall have to anoint ourselves with the but­ter," said Dennis. "May thy head, William, lack not ointment*."

"Look here," said William, "how are we going to sit? I'd better get up by the driver."

"No, Bobby Kane's by the driver," said Isabel. "You're to sit between Moira and me." The taxi started. "What have you got in those mysterious parcels?"

"De-cap-it-ated heads!" said Bill Hunt, shudder­ing beneath his hat.

"Oh, fruit!" Isabel sounded very pleased. "Wise William! A melon and a pine-apple. How too nice!"

"No, wait a bit," said William smiling. But he really was anxious. "I brought them down for the kiddies."

"Oh, my dear!" Isabel laughed and slipped her hand through his arm. "They'd be rolling in ago­nies if they were to eat them. No"—she patted his hand—"you must bring them something next time. I refuse to part with my pine-apple."

"Cruel Isabel! Do let me smell it!" said Moira. She flung her arms across William appealingly. "Oh!" The strawberry bonnet fell forward: she sounded quite faint.

"A Lady in Love with a Pine-apple," said Dennis, as the taxi drew up before a little shop with a striped blind. Out came Bobby Kane, his arms full of little packets.

"I do hope they'll be good. I've chosen them because of the colours. There are some round things which really look too divine. And just look at this nougat," he cried ecstatically, "just look at it! It's a perfect little ballet!"

But at that moment the shopman appeared. "Oh, I forgot. They're none of them paid for," said Bobby, looking frightened. Isabel gave the shop­man a note, and Bobby was radiant again. "Hallo, William! I'm sitting by the driver." And barehead­ed, all in white, with his sleeves rolled up to the shoulders, he leapt into his place. "Avanti!" he cried...

After tea the others went off to bathe, while William stayed and made his peace with the kid­dies. But Johnny and Paddy were asleep, the rose-red glow had paled, bats were flying, and still the bathers had not returned. As William wandered downstairs, the maid crossed the hall carrying a lamp. He followed her into the sitting-room. It was a long room, coloured yellow. On the wall opposite William someone had painted a young man, over life-size, with very wobbly legs, offering a wide-eyed daisy to a young woman who had one very short arm and one very long, thin one. Over the chairs and sofa there hung strips of black material, covered with big splashes like broken eggs, and everywhere one looked there seemed to be an ash­tray full of cigarette ends. William sat down in one of the arm-chairs. Nowadays, when one felt with one hand down the sides, it wasn't to come upon a sheep with three legs or a cow that had lost one horn, or a very fat dove out of the Noah's Ark.

One fished up yet another little paper-covered book of smudged-looking poems... He thought of the wad of papers in his pocket, but he was too hungry and tired to read. The door was open; sounds came from the kitchen. The servants were talking as if they were alone in the house. Suddenly there came a loud screech of laughter and an equally loud "Sh!" They had remembered him. William got up and went through the french windows* into the garden, and as he stood there in the shadow he heard the bathers coming up the sandy road; their voices rang through the quiet.

"I think it's up to Moira to use her little arts and wiles."

A tragic moan from Moira.

"We ought to have a gramophone for the week­ends that played 'The Maid of the Mountains.' "

"Oh no! Oh no!" cried Isabel's voice. "That's not fair to William. Be nice to him, my children. He's only staying until to-morrow evening."

"Leave him to me," cried Bobby Kane. "I'm awfully good at looking after people."

The gate swung open and shut. William moved on the terrace; they had seen him. "Hallo, William!" And Bobby Kane, flapping his towel, began to leap and pirouette on the parched lawn. "Pity you didn't come, William. The water was divine. And we all went to a little pub afterwards and had sloe gin."

The others had reached the house. "I say, Isabel," called Bobby, "would you like me to wear my Nijinsky dress tonight?"

"No," said Isabel, "nobody's going to dress.We're all starving. William's starving, too. Come along, mes amis, let's begin with sardines."

"I've found the sardines," said Moira, and she ran into the hall, holding a box high in the air.

"A Lady with a Box of Sardines," said Dennis gravely.

"Well, William, and how's London?" asked Bill Hunt, drawing the cork out of a bottle of whisky.

"Oh, London's not much changed," answered William.

"Good old London," said Bobby, very hearty, spearing a sardine.

But a moment later William was forgotten. Moira Morrison began wondering what colour one's legs really were under water.

"Mine are the palest, palest mushroom colour."

Bill and Dennis ate enormously. And Isabel filled glasses, and changed plates, and found matches, smiling blissfully. At one moment she said, "I do wish, Bill, you'd paint it."

"Paint what?" said Bill loudly, stuffing his mouth with bread.

"Us," said Isabel, "round the table. It would be so fascinating in twenty years' time."

Bill screwed up his eyes and chewed. "Light's wrong," he said rudely, "far too much yellow"; and went on eating. And that seemed to charm Isabel, too.

But after supper they were all so tired they could do nothing but yawn until it was late enough to go to bed...

It was not until William was waiting for his taxi the next afternoon that he found himself alone with Isabel. When he brought his suit-case down into the hall, Isabel left the others and went over to him. She stooped down and picked up the suit-case. "What a weight!" she said, and she gave a little awkward laugh. "Let me carry it! To the gate."

"No, why should you?" said William. "Of course not. Give it to me."

"Oh, please do let me," said Isabel. "I want to, really." They walked together silently. William felt there was nothing to say now.

"There," said Isabel triumphantly, setting the suit-case down and she looked anxiously along the sandy road. "I hardly seem to have seen you this time," she said breathlessly. "It's so short, isn't it? I feel you've only just come. Next time—" The taxi came into sight. "I hope they look after you prop-erly in London. I'm so sorry the babies have been out all day, but Miss Neil had arranged it. They'll hate missing you. Poor William, going back to London." The taxi turned. '"Good-bye!" She gave him a little hurried kiss; she was gone.

Fields, trees, hedges streamed by. They shook through the empty, blind-looking little town, ground up the steep pull to the station. The train was in. William made straight for a first-class smoker, flung back into the corner, but this time he let the papers alone. He folded his arms against the dull, persistent gnawing, and began in his mind to write a letter to Isabel.

The post was late as usual. They sat outside the house in long chairs under coloured parasols. Only Bobby Kane lay on the turf at Isabel's feet. It was dull, stifling; the day drooped like a flag.

"Do you think there will be Mondays in heav­en?" asked Bobby childishly.

And Dennis murmured, "Heaven will be one long Monday."

But Isabel couldn't help wondering what had happened to the salmon they had for supper last night. She had meant to have fish mayonnaise for lunch, and now...

Moira was asleep. Sleeping was her latest dis­covery. "It's so wonderful. One simply shuts one's eyes, that's all. It's so delicious."

When the old ruddy postman came beating along the sandy road on his tricycle one felt the handle-bars ought to have been oars.

Bill Hunt put down his book. "Letters," he said complacently, and they all waited. But, heartless postman—O malignant world! There was only one, a fat one for Isabel. Not even a paper.

"And mine's only from William," said Isabel mournfully.

"From William—already?" "He's sending you back your marriage lines as a gentle reminder."

"Does everybody have marriage lines? I thought they were only for servants."

"Pages and pages! Look at her! A Lady reading a Letter," said Dennis.

My darling, precious Isabel. Pages and pages there were. As Isabel read on her feeling of aston­ishment changed to a stifled feeling. What on earth had induced William?.. How extraordinary it was... What could have made him?.. She felt confused, more and more excited, even frightened. It was just like William. Was it? It was absurd, of course, must be absurd, ridiculous. "Ha, ha, ha! Oh dear!" What was she to do? Isabel flung back in her chair and laughed till she couldn't stop laughing.

"Do, do tell us," said the others. "You must tell us."

"I'm longing to," gurgled Isabel. She sat up, gathered the letter, and waved it at them. "Gather round," she said. "Listen, it's too marvellous. A love-letter!"

"A love-letter! But how divine!" Darling, pre­cious Isabel. But she had hardly begun before their laughter interrupted her.

"Go on, Isabel, it's perfect." "It's the most marvellous find." "Oh, do go on, Isabel!"

God forbid, my darling, that I should be a drag on your happiness.

"Oh! oh! oh!" "Sh! sh! sh!"

And Isabel went on. When she reached the end they were hysterical: Bobby rolled on the turf and almost sobbed.

"You must let me have it just as it is, entire, for my new book," said Dennis firmly. "I shall give it a whole of chapter."

"Oh, Isabel," moaned Moira, "that wonderful bit about holding you in his arms!"

"I always thought those letters in divorce cases were made up. But they pale before this."

"Let me hold it. Let me read it, mine own self," said Bobby Kane.

But, to their surprise, Isabel crushed the letter in her hand. She was laughing no longer. She glanced quickly at them all; she looked exhausted. "No, not just now. Not just now," she stammered.

t And before they could recover she had run into the house through the hall, up the stairs into her bedroom. Down she sat on the side of the bed. "How vile, odious, abominable, vulgar," muttered Isabel. She pressed her eyes with her knuckless and rocket to and fro. And again she saw them, but not four, more like forty, laughing, sneering, jeering, stretching out their hands while she read them Wil­liam's letter. Oh, what a loathsome thing to have done. How could she have done it! God forbid, my darling, that I should be a drag on your happiness. William! Isabel pressed her face into the pillow. But she felt that even the grave bedroom knew her for what she was, shallow, tinkling, vain...

Presently from the garden below there came voices.

"Isabel, we're all going for a bathe. Do come!"

"Come, thou wife of William!"

"Call her once before you go, call once yet!"

Isabel sat up. Now was the moment, now she must decide. Would she go with them, or stay here and write to William. Which, which should it be? "I must make up my mind." Oh, but how could there be any question? Of course she would stay here and write.

"Titania!" piped Moira.

"Isa-bel?"

No, it was too difficult. "I'll—I'll go with them, and write to William later. Some other time. Later. Not now. But I shall certainly write," thought Isabel hurriedly.

And, laughing in the new way, she ran down the stairs.

 

– Конец работы –

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Предлагаемое пособие разработано для развития навыков опосредованного перевода и устной речи слушателей программы дополнительного профессионального образования «Переводчик в сфере профессиональной коммуникации»

От авторов.. Предлагаемое пособие разработано для развития навыков опосредованного перевода и устной речи слушателей программы дополнительного профессионального..

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CONTENTS
ABOUT THE AUTHOR……………………………………………………….. BLISS…………………………………………………………………………... PICTURES…………………………

ABOUT THE AUTHOR
New Zealand's most famous writer was closely associated with D.H. Lawrence and something of a rival of Virginia Woolf. Mansfield's creative years were burdened with loneliness, illness, jealousy, a

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1. open and sincere in expression; straightforward. bliss 2. to carry out or fulfill the command, order, or instruction.

Match one of the following adjectives to each description.
frank passionate curious amused distressed dreadful collected mysterious absurd extravagant bored a) A …………… person has strong romantic or sexual feelings and expresses them in thei

Pictures
Eight o'clock in the morning. Miss Ada Moss lay in a black iron bedstead, staring up at the ceiling. Her room, a Bloomsbury top-floor back,

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1. not having a clear shape. to take trouble 2. to smile widely at somebody. to give no sign

Sun and Moon
In the afternoon the chairs came, a whole big cart full of little gold ones with their legs in the air. And then the flowers came. When you

Find the English equivalents to the following words or phrases and use them in the sentences of your own.
1.to behave in a particular way in order to make other people believe smth that is not true. at any rate 2.to be annoyed or quite angr

Life of Ma Parker
When the literary gentleman, whose flat old Ma* Parker cleaned every Tuesday, opened the door to her that morning, he asked after her grands

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1. to be concerned or interested. to be a success 2. mental or emotional unhappiness or distress. to overcome

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1.to take care of. to settle something 2. to lead or move, as to a course of action, by influence or persuasion. to fish

Miss Brill
Although it was so brilliantly fine—the blue sky powdered with gold and the great spots of light like white wine splashed over the Jardins P

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1.futile; useless. to decide on smth 2.being familiar with smth so that it no longer seems new or strange to you.

Her First Ball
Exactly when the ball began Leila would have found it hard to say. Perhaps her first real partner was the cab. It did not matter that she shared the cab with the Sheridan girls and their brother. S

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1. to like smth or like to do smth, to be willing to do smth weird 2.not happy or smiling; looking very serious

Match one of the following adjectives to each description.
ashamed exciting surprising terrified shy gloomy

Speak on or write an essay about your assessment of the story and your impressions of it.
The Lady's Maid Eleven o 'clock. A knock at the door. ...I hope I haven't disturbed you, madam. You weren't asleep—were you? But I've just given my lady her tea,

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1. to do one’s hair to cheat smb 2.full of extreme anger, raging to feel inclined to do smth

The Fly
"Y'are very snug in here," piped old Mr. Woodifield, and he peered out of the great, green-leather arm-chair by his friend the boss's desk as a baby peers out of its pram. His talk was ov

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1. to have a useful effect: to help smb. to be over 2. to meet or find something by chance. to make a nuisance

The Tiredness of Rosabel
At the corner of Oxford Circus Rosabel bought a bunch of violets, and that was practically the rea­son why she had so little tea—for a scone

Comprehension Check
a) What did Rosabel do to earn her living? b) What was her mood when she was returning home? c) What means did the author use to describe Rosabel’s tiredness? d) What had

Speak on or write an essay about your assessment of the story and your impressions of it.
  The Little Girl To the little girl he was a figure to be feared and avoided. Every morning befo

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1.an unusually large person properly 2.to search or examine thoroughly to give smth up

Put in the missing prepositions.
I looked … the apartment where I had spent most … my life. The window was open and sounds … the street mixed … the talk show … the radio that my mother always kept … It seemed that she had even tur

Pension Seguin
The servant who opened the door was twin sis­ter to that efficient and hideous creature bearing a soup tureen into the First French Picture. Her round red face shone like freshly washed china. She

Match the following definitions in the left column with the words in the right column.
1. very likely to be influenced, harmed or affected by smth. immense 2. to suggest that smth is true or that you feel or think

Late at Night
(Virginia is seated by the fire. Her outdoor things are thrown on a chair; her boots are faintly steaming in the fender). Virginia (laying the letter down): I don't like this letter at all

Comprehension Check
a) What kind of letter did Virginia receive? b) Why did she consider it offensive? c) Why did Sunday evenings have a special effect on the woman? d) What are Virginia’s t

Sixpence
Children are unaccountable little creatures. Why should a small boy like Dicky, good as gold as a rule, sensitive, affectionate, obedient, and, mar­vellously sensible for his age, have moods when,

Match the following definitions in the left column with the words in the right column. Find sentences with these words in the story.
1. to make smb able to avoid doing smth difficult or unpleasant. to have moods 2. to deliberately try to forget an unpleasant m

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