Exercise 4, p. 155

A.1. He helped Poirot deftly offwith his overcoat.

2. Mallory no longer felt fear or anxiety and that was his chief

reaction: he would have hated to have to speak to him again.

3. But Hilary couldn’t free himself/get rid ofhis own burdens

in that way. 4. Have you heard the news? We need no longer

worry/be afraid/ 5. Your room is arranged in very good

taste/very tastefully. 6. The palace was decorated with paintings

and sculptures/painters and sculptors had been hired to

make the palace beautiful. 7. «Every portrait that is executed

with feeling is the portrait ofthe painter and not of the sitter,»

said Basil Hallward. 8. Quite soon I found, to my own astonishment,

that the difficult craft offishing I was trying to master

had, indeed, a powerful fascination, 9. When it was over he

inhaled deeply/he sighed with relief. 10. Beauty attracted him

irresistibly. 11. If the reporter could not get facts for his stories,

he often used his imagination. 12. A considerate host

always does his best to engage a left-out guest in the conversation/

so that a left-out guest can take part in the conversation.

13. Mr. Strickland has painted the portrait of/has depicted/

has represented/has pictured an excellent husband and

lather, a man ofkindly temper, industrious habits, and moral

disposition. 14. I haven’t been photographed for years/I heavrn’t

had my photo taken for years. 15. «Mousehold Heath» is a

magnificent painting by John Crome. It shows/portrays a

shepherd-boy and his dog with a few sheep on a piece of

ground covered with broken turf. 16. He imagined a house

half-way to Plyn hill, ivy-covered and with a view ofthe harbour,

and Janet waiting for him when the day’s work was

through. 17. Leonardo da Vinci loved to paint/depict the

smile and used it to give life and reality and the illusion of

spiritual depth to his characters. 18. The president wasted no

words, yet managed to give a detailed and graphic picture of

the nation’s strength. 19. The Russian art students were eager

to depict/represent/picture national themes and to choose

 

the subjects oftheir pictures themselves. They were not

drawn to classical subjects, for their hearts lay in realism and

purpose painting. 20. Cezanne would never have executed his

exquisite pictures if he had been able to use his pencil as skillfully

as the academic Ingres. 21. She described his ingratitude

very vividly.

B. 1.He met her challenge with a bitter smile though he

had grown very pale/pale as a sheet/pale as chalk. 2. Tristram’s

face went grim as death, and he bit his lips, while his bride

blushed to the top of her ears/blushed/coloured to the roots

of her hair. 3. His reputation wasn’t completely unblemished/

irreproachable. 4. These pages tell about events that

really happened. All that has been done is to varnish/embellish/

misrepresent them. 5. Mr. Gaitskill never for a moment

questioned (was all the time absolutely sure of) his divine right

to do, within the accepted limits, exactly what he liked. 6. The

weather looks as if it may change any moment. 7. I shouldn’t

like to live in such a questionable neighbourhood/to live

among sich suspicious characters. 8. Doris had now made it

clear that she was by no means sure ofthe sincerity ofLaura’s

deep affection for Conrad. 9. The whole craft was to stay silent,

to choose one’s time carefully, and then pick off the enemies.

10. The boy’s sailor-suit, a size or two too big for him, had been

chosen in the expectation ofhis «growing into it» which no

doubt showed great thrift. 11. Books are often displayed on the

counter to let the customers pick/choose what they like.

12. The man who had charge ofthe canoes was a huge guy,

brown all over, who had been picked/chosen for his strength.

13- He felt, as other men felt in her presence, brighter and wittier

and braver. 14. Harris suggested that George never ought

to step into a boat of an ordinari magnitude with feet that

length. 15. We saw the ruins overgrown with creepers, halfburied

in vegetation but still as huge as ever. 16. The portrait

looked as if I had executed it myself. The sad dark eyes were

fixed on me, sharing, or at least understanding, as it seemed,

my foolish boyish dreams. 17. The «Young Man» seems to gaze

at us with such intensity and sadness, that it is almost impossible

to believe that these dreamy eyes are only a bit ofearth of

different tints spread on a rough piece ofcanvas. 18. He made

a gentle attempt to introduce his friends into Bertolini society

and the attempt had failed. 19. Seeing that someone was

 

 

approaching him, he concentrated on pulling himself together

and it worked. 20. He realized that he wouldn’t fall asleep,

try as he might (no matter what he did) and gave up. 21.

Lampton joined in the laughter, but he had to try' hard to bring

himself to laugh to make himself laugh/to force himself to

laugh and it was all artificial, of course.