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BRIEF NEWS ITEMS

BRIEF NEWS ITEMS - раздел Образование, PART I INTRODUCTION The Principal Function Of A B R I E F News I Te Т Is To Inform The Reader. It...

The principal function of a b r i e f news i te т is to inform the reader. It states facts without giving explicit comments, and whatever evaluation there is in news paragraphs is for the most part implicit and as a rule unemotional. News items are essentially matter-of-fact, and stereotyped forms of expression prevail. As an invariant, the language of brief news items is stylistically neutral, which seems to be in keeping with the allegedly neutral and unbiased nature of newspaper reporting; in practice, however, departures from this principle of stylistic neutral­ity (especially in the so-called "mass papers") are quite common.

It goes without saying that the bulk of the vocabulary used in news­paper writing is neutral and common literary. But apart from this, news­paper style has its specific vocabulary features and is characterized by an extensive use of:

a) Special political and economic terms, e. g. Socialism, constitution, president, apartheid, by-election, General Assembly, gross output, per ca­pita production.

b) Non-term political vocabulary, e. g. public, people, progressive, nation-wide, unity, peace, A characteristic feature of political vocabulary is that the border line between terms and non-terms is less distinct than in the vocabulary of other special fields. The semantic structure of some words comprises both terms and non-terms, e. g. nation, crisis, agreement, member, representative, leader.

c) Newspaper cliches, i. e. stereotyped expressions, commonplace phrases familiar to the readert e. g. vital issue, pressing problem, informed sources, danger of war, to escalate a war, war hysteria, overwhelming ma­jority, amid stormy appiause. Cliches more than anything else reflect the traditional manner of expression in newspaper writing. They are com­monly looked upon as a defect of style. Indeed, some cliches, especially those based on trite images (e.g. captains of industry, pillars of society, bulwark of civilization) are pompous and hackneyed, others, such as welfare state, affluent society^^are false and misleading. But nevertheless, cliches are indispensable in newspaper style: they prompt the necessary associations and prevent ambiguity and misunderstanding.

d) Abbreviations. News items, press^ reports and headlines abound in abbreviations of various kinds. Among them abbreviated terms— names of organizations, public and state bodies, political associations, industrial and other companies, various offices, etc.—known by their initials are very common, e.g. UNO (t/nited Nations Organization), TUG (Trades Union Congress), NATO (North Atlantic Treaty Organiza­tion), AFL-CIO (Лтепсап Federation of Labour-Congress of /ndustrial Organizations), EEC (.European Economic Community), TGWU (Trans­port and General Workers Union), FO (Foreign Office), PIB (Prices and /ncomes Board),

e) Neologisms. These are very common in newspaper vocabulary. The newspaper is very quick to react to any new development in the life of society, in science and technology. Hence, neologisms make their way into the language of the newspaper very easily and often even spring up on newspaper pages, e.g. lunik, a splash-down (the act of bringing a spacecraft to a water surface), a teach-in (a form of campaigning through heated political discussion), backlash or white backlash (a violent reaction of American racists to the Negroes' struggle for civil rights), frontlash (a vigorous antiracist movement), stop-go policies (contradictory, inde­cisive and inefficient policies).

The above-listed peculiarities of brief news items are the basic vocab­ulary parameters of English newspaper style.

The vocabulary of brief news items is for the most part devoid of emotional colouring. Some papers, however, especially those classed among "mass" or "popular" papers, tend to introduce emotionally col­oured lexical units into essentially matter-of-fact news stories, e.g.

"Health Minister Kenneth Robinson made this shock announce­ment yesterday in the Commons." (Daily Mirror)

"Technicians at the space base here are now working flat out to prepare GeAiini 6 for next Monday's blast-off." (Daily Mail)

"Defence Secretary Roy Mason yesterday gave a rather frosty reception in the Commons to the latest proposal for a common defence policy for all EEC countries." (Morning Star)

Important as vocabulary is, it is not so much the words and phrases used in brief news items that distinguish them from other forms of news­paper writing. The vocabulary groups listed above are also commonly found in headlines and newspaper articles. The basic peculiarities of news items lie in their syntactical structure.

As the reporter is obliged to be brief, he naturally tries to cram all his facts into the space allotted. This tendency predetermines the pe­culiar composition of brief news items and the syntactical structure ^,of the sentences. The size of brief news items varies from one sentence to several (short) paragraphs. And generally, the shorter the news item, |\ the more complex its syntactical structure.

The following grammatical peculiarities of brief news items are of paramount importance, and may be regarded as their grammatical parameters.

a) Complex sentences with a developed system of clauses, e. g.

"Mr. Boyd-Carpenter, Chief Secretary to the Treasury and Paymaster-General (Kingston-upon-Thames), said he had been asked what was meant by the statement in the Speech that the po­sition of war pensioners and those receiving national insurance ben­efits would be kept under close review." (The Times)

"There are indications that BO AC may withdraw - threats of all-out dismissals for pilots who restrict flying hours, a spokesman for the British Airline Pilots' association said yesterday," (Morn­ing Star)

b) Verbal constructions (infinitive, participial, gerundial) and verbal noun constructions, e.g.

"Mr. Nobusuke Kishi, the former Prime Minister of Japan, has sought to set an example to the faction-ridden Governing Liberal Democratic Party by announcing the disbanding of his own faction numbering 47 of the total of 295 conservative mem­bers of the Lower House of the Diet." (The Times)

c) Syntactical complexes, especially the nominative with the infin­itive. These constructions are largely used to avoid mentioning the source of information or to shun responsibility for the facts reported, e. g.

"The condition of Lord Samuel, aged 92, was said last night to be a 'little better.'" (The Guardian)

"A petrol bomb is believed to have been exploded against the grave of Cecil Rhodes in the Matopos." (The Times)

d) Attributive noun groups are another powerful means of effecting brevity in news items, e.g. 'heart swap patient' (Morning Star), 'the national income and expenditure figures' (The Times), 'Labour backbench decision' (Morning Star), 'Mr. Wilson's HMS fearless package deal' (Morning Star).

e) Specific word-order. Newspaper tradition, coupled with the rigid rules of sentence structure in English, has greatly affected the word-order of brief news items. The word-order in one-sentence news para­graphs and in what are called "leads" (the initial sentences in longer news items) is more or less fixed. Journalistic practice has developed what is called the "five-w-and-h-pattern rule" (who-what-why-how-where-when)and for a long time strictly adhered to it. In terms of grammar this fixed sentence structure may be expressed in the following manner: Subject—Predicate (+Object)—Adverbial modifier of reason (manner)— Adverbial modifier..of place-4Adverbial modifier of time, e.g.

"A neighbour's peep through a letter box led to the finding of a woman dead from gas and two others semiconscious in a block of council flats in Eccles New Road, Salford, Lanes., yesterday." (The Guardian)

It has been repeatedly claimed by the authors of manuals of journalis­tic writing that the "five-w-arid4i" structure was the only right pattern of sentence structure to use in news reports. Facts, however, disprove this contention. Statistics show that there are approximately as many cases in which the traditional word-order is violated as those in which it is observed. It is now obvious that the newspaper has developed new sentence patterns not typical of other styles. This observation refers, firstly, to the position of the adverbial-modifier of definite time. Com­pare another pattern typical of brief news sentence structure:

"Derec Heath, 43, yesterday left Falmouth for the third time in his attempt to cross the Atlantic in a 12ft dinghy." (Morning Star)

"Brighton council yesterday approved а £ 22,500 scheme to have parking meters operating in the centre of the town by March." (The Times)

This and some other unconventional sentence patterns have become a common practice with brief news writers.

There are some other, though less marked, tendencies in news item writ­ing of modifying well-established grammatical norms. Mention should be made of occasional disregard for the sequence of tenses rule, e.g.

"The committee —which was investigating the working of the 1969 Children and Young Persons Act — said that some school children in remand centres are getting only two hours lessons a day." (Morning Star)

What is ordinarily looked upon as a violation of grammar rules in any other kind of writing appears to b£ a functional peculiarity of news­paper style.

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PART I INTRODUCTION

I GENERAL NOTES ON STYLE AND Stylistics... EXPRESSIVE MEANS EM AND STYLISTIC DEVICES SD... GENERAL NOTES ON FUNCTIONAL STYLES OF LANGUAGE...

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I. GENERAL NOTES ON STYLE AND Stylistics
Stylistics, sometimes called lingvo-stylistics, is a branch of general linguistics. It has now been more or less definitely outlined. It deals mainly with two interdependent

T^jire treated are the main distinctive features of individual style.
The treatment of the selected elements brings up the problem of the norm. The notion of the norm mainly refers to the literary language and always presupposes a recognized o

EXPRESSIVE MEANS (EM) AND STYLISTIC DEVICES (SD)
In linguistics there are different terms to den _by which utterances are foreground, i.e. made more conspicuous, more "effective and therefore imparting some additional information. They are c

GENERAL NOTES ON FUNCTIONAL STYLES OF LANGUAGE
We have defined the object,of linguo-stylistics as the study of the nature, functions and structure^ SDs and EMs, on the one hand, and the study of the functional styles, on the other. In section 2

The gap between the spoken and written varieties of language, wider
narrower at different periods in the development of the literary lan- guage, will always remain apparent due to the difference in circumstances in which the two ar

A BRIEF OUTLINE OF THE DEVELOPMENT OF THE ENGLISH LITERARY (STANDARD) LANGUAGE
Up till now we have done little more than mention the literary (stan­dard) language, which is one of the most important notions in stylistics and general linguistics. It is now necessary to elucida

MEANING FROM A STYLISTIC POINT OF VIEW
Stylistics is a domain where meaning assumes paramount importance.. This is so because the term 'meaning' is applied not only to words, word-combinations, sentences but also to the manner of expres

I. GENERAL CONSIDERATIONS
Like any linguistic issue the classification of the vocabulary here suggested is for purely stylistic purposes. This is important for the course in as much as some SDs are based on the interplay of

Common CoUo^uiaL Vocabulary
-Profession­alisms i special Colloquial Vocabulary (non-Literary) of the English language as being divided into three main layers: the literary layer, the neutral

B) Poetic and Highly Literary Words
Poetic words form a rather insignificant layer of the special literary vocabulary. They are mostly archaic or very rarely used highly literary words which aim at producing an elevated effect. They

C) Archaic, Obsolescent and Obsolete Words
The word-stock of a language is in an increasing state of change. Words change their meaning and sometimes drop out of the language altogether. New words spring up and replace the old ones. Some wo

D) Barbarisms and Foreignisms
In the vocabulary of the English language there is a considerable layer of words called barbarisms. These are words of foreign origin which have not entirely been assimilated into the English lan­g

A) Slang
There is hardly any other term that is as ambiguous and obscure as the term slang. Slang seems to mean everything that is below the standard of usage of present-day English. Much has been

B) Jargonisms
In the non-literary vocabulary of the English language there is a group of words that are called jargonisms. Jargon is a recognized term for a group of words that exists in almost every language an

C) Professionalisms
H Professionalisms, as the term itself signifies, are the words used in a definite trade, profession or calling by people connect­ed by common interests both at work and at home. They commonly desi

D) Dialectal words
This group of words is obviously opposed to the other groups of the non-literary English vocabulary and therefore its stylistic, func­tions can be more or less clearly defined. Dialectal words are

E) Vulgar words or vulgarisms
The term vulgarism, as used to single out a definite group of words of non-standard English, is rather misleading. The ambiguity of the term apparently proceeds from the etymology of the word. Vulg

GENERAL NOTES
The stylistic approach to the utterance is not confined to its struc­ture and sense. There is another thing to be taken into account which, in a certain type of communication, viz. belles-lettres,

Onomatopoeia
Onomatopoeia is a combination of speech-sounds which aims at imitating sounds produced in nature (wind, sea, thunder, etc), by things (machines or taols, etc), by people (sighing, laughter, patter

Alliteration
Apt Alliteration's Artful Aid. Charles Churchill Alliteration is a phonetic stylistic device which aims at im­parting a melodic effect to the utterance. The essence of this device lies in

A. INTENTIONAL MIXING OF THE STYLISTIC ASPECT OF WORDS
Heterogeneity of the component parts of the utterance is the basis for a stylistic device called b a th о s. Unrelated elements are brought together as if they denoted things equal in rank or belon

B. INTERACTION OF DIFFERENT TYPES OF LEXICAL MEANING
Words in context, as has been pointed out, may acquire addition­al lexical meanings not fixed in dictionaries, what we have called con­textual meanings. The latter may sometimes deviate from the

INTERACTION OF PRIMARY DICTIONARY AND CONTEXTUALLY IMPOSED MEANINGS
The interaction or interplay between the primary dictionary meaning (the meaning which is registered in the language code as an easily recog­nized sign for an abstract notion designating a certain

Metaphor
The term 'metaphor', as the etymology of the word reveals, means transference of some quality from one object to another. From the times of ancient Greek and Roman rhetoric, the term has been known

Metonymy
  Metonymy is based on a different type of relation between the dictionary and contextual meanings, a relation based not on iden­tification, but on some kind of association connecting

INTERACTION OF PRIMARY AND DERIVATIVE LOGICAL MEANINGS Stylistic Devices Based on Polysemantic Effect, Zeugma and Pun
As is known, the word is, of all language units, the most sensitive to change; its meaning gradually develops and as a result of this develop-"' ment new meanings appear alongside the primary

INTERACTION OF LOGICAL AND EMOTIVE MEANINGS
The general notions concerning emotiveness have been set out in part I, § 6—"Meaning from a Stylistic Point of View" (p. 57). However, some additional information is necessary for a bette

Interjections and Exclamatory Words
Interjections are words we use when we express our feelings ^strongly and which may be said to exist in language as coriyeritional symbols of human emotions/The role of interjections in creating em

The Epithet
From the strongest means of displaying the writer's or speaker's emotionaj. attitude to his communication, we now pass to a weaker but still forceful, means — the ep i th e t. .The epithet is subtl

Oxymoron
Oxymoron is a combination of two words (mostly an adjective and a noun or an adverb with an adjective) in which the meanings of the two clash, being opposite in sense, for example: 'low sk

Antonomasia
We have already pointed out the peculiarities of nominal meaning. The interplay between the logical and nominal meanings of a word is call-ed antonomasia. As in other stylistic devices based on the

C. INTENSIFICATION OF A CERTAIN FEATURE OF A THING OR PHENOMENON
In order to understand the linguistic nature of the SDs of this group it is necessary to clear 4up some problems, so far untouched, of d e f i n i-t i о п as a philosophical category, Any definitio

Periphrasis
Periphrasis is a device which, according to Webster's diction­ary, denotes the use of a longer phrasing in place of a possible shorter and plainer form of expression. It is also called circumlocuti

Euphemism
There is a variety of periphrasis which we shall call euphemistic. Euphemism, as is known, is a word or phrase used to replace an unpleasant word or expression by a conventionally more acc

Hyperbole
Another SD which also has the function of intensifying one certain property of the object described is h у p e r b о I e. It can be defined as a deliberate overstatement or exaggeration of a featur

D. PECULIAR USE OF SET EXPRESSIONS
In language studies there are two very clearly-marked tendencies that the student should never lose sight of, particularly when dealing with the problem of word-combination. They are 1) the analyti

The Cliche
A cliche is generally defined as an expression that has become hackneyed and trite. As Random House Dictionary has it, "a cliche ... has lost originality, ingenuity, and impact by long over-us

Proverbs and Sayings
Proverbs and sayings are facts of language. They are collected in dictionaries. There are special dictionaries of proverbs and sayings. It is impossible to arrange proverbs and sayings in a form th

Epigrams
An epigram is a stylistic device akin to a proverb, the only difference being that epigrams are coined by individuals whose names we know, while proverbs are the coinage of the people. In other wor

Allusions
An allusion is an indirect reference, by word or phrase, to a historical, literary, mythological, biblical fact or to "a fact of'everyday life made in the course of speaking or writing. The us

Decomposition of Set Phrases
Linguistic fusions are set phrases, the meaning of which is understood only from the combination as a whole, as to pull a person's leg or to have something at one's finger tips. The meaning of the

A. GENERAL CONSIDERATIONS
Within the language-as-a-system there establish themselves certain [definite types of relations between words, word-combinations, sentences I and also between larger spans of utterances. The branch

B. PROBLEMS CONCERNING THE COMPOSITION OF SPANS OF UTTERANCE LARGER THAN THE SENTENCE
In recent years a new theory concerning the inner relations between context and form within the sentence has appeared. This theory, elabo­rated by S. Harris, N. Chomsky, M. Postal and others, is ca

Supra-Phrasal Units
The term supra-phrasal unit (SPU) is used to denote a larger unit than a sentence. It generally comprises a number of sentences interdependent structurally (usually by means of pronouns, connective

The Paragraph
A p a r a g r a p h is a graphical term used to name a group of sen­tences marked off by indentation at the beginning and a break in the line at the end. But this graphical term has come to mean a

C. COMPOSITIONAL PATTERNS OF SYNTACTICAL ARRANGEMENT
The structural syntactical aspect is sometimes regarded as the crucial issue in stylistic analysis, although the peculiarities of syntactical ar­rangement are not so conspicuous as the lexical and

Stylistic Inversion
W о r d-o r d e r is a crucial syntactical problem in many languages. In English it has peculiarities which have been caused by the concrete and specific way the language has developed. O. Jesperse

Detached Construction
a sentence by some specific consideration of the writer is placed so that it seems formally independ- ent of Ще^ш^1У^^ parts of structures are called lie t ached. They seem_tCLjda

Parallel Construction
Parallel construction is a device which may be encoun­tered not so much in the sentence as in the macro-structures dealt with earlier, viz. the SPU and the paragraph. The necessary condition in par

Repetition
It has already been pointed out that r ej^e ti t i о п is1 an expres­sive means of language used when the speaker is imder the stress of strong ""ей^зпг-Jt^^ as in the following "pas

Enumeration
E n и т е г a tion is a stylistic device by which separate things, objects, phenomena, properties, actions are named one by one so that they produce a chain, the links of which, being syntactically

Suspense
S usp eji se i s a comppsitionjl device which consists in arranging the fffaFEe? of a commjuhTcation in such a way that the less important, "descriptive, subordinate parts are amassed af the b

Antithesis
In order to characterize a thing or phenomenon from a specific point of view, it may be necessary not to find points of resemblance or associa­tion between it and some other thing or phenomenon, bu

Asyndeton
Asyndeton, that is, connection between parts of a sentence or between sentences without any formal sign, becomes a stylistic device if there is a deliberate omission of the connective where it is g

Polysyndeton
Polysyndeton is the stylistic device of connecting sentences, or phrases, or syntagms, or words'by using connectives (mostly conjunc­tions and prepositions) before each component part, as in:

The Gap- Sentence Link
There is a peculiar type of connection of sentences which for want of a term we shall call the g ap-s en fence link (GSL). The conne­ction is not immediately apparent and it requires a certain ment

E. PARTICULAR USE OF COLLOQUIAL CONSTRUCTIONS
We have already pointed out some of the constructions which bear an imprint of emotion in the very arrangement of the words, whether they are neutral or stylistically coloured (see" p. 39). Su

Ellipsis
Ellipsis is a typical phenomenon in conversation, arising out of the situation. We mentioned this .peculiar feature of the spoken language when we characterized its essential qualities and properti

Question-in-the-Narrative
Questions, being both structurally and semantically one of the types of sentences, are asked by one person and e'xpected to be answered by another. This is the main, and the most characteristic pro

Represented Speech
There are three ways of reproducing actual speech: a) repetition of the exact utterance as it was spoken (direct speech), b) con­version of the exact utterance into the relater'smode of expression

A) Uttered Represented Speech
Uttered represented speech demands that the tense should be switched from present to past and that the personal pronouns should be changed from 1st and 2nd person to 3rd person as in indirect speec

B) Unuttered or Inner Represented Speech
As has often been pointed out, language has two functions: the com­municative and the expressive. The communicative function serves to convey one's thoughts, volitions, emotions and orders to the m

Rhetorical Questions
The rhetorical q и e^s t i о n Is a special syntactical stylistic j device the essence of which consists in reshaping the grammatical mean-j ing of the interrogative sentence. In other words, the q

Litotes
Litotes is a stylistic device consisting of a peculiar use of nega­tive constructions. The negation plus noun or adjective serves to establish a positive feature in a person or thing. This positive

INTRODUCTORY REMARKS
We have already mentioned the problem of what is known as / и n c-tional styles (FS) of language (see p. 32—35), but only to show that FSs should be distinguished from varieties of language. The ma

A. THE BELLES-LETTRES STYLE
We have already pointed out that the belles-lettres style is a generic term for three substyles in which the main principles and the most general properties of the style are materialized. These thr

LANGUAGE OF POETRY
The first substyle we shall consider is v e r s e. Its first differentiating property is its orderly form, which is based mainly on the rhythmic and phonetic arrangement of the utterances. The rhyt

Metre and Line
It is customary to begin the exposition of the theory of English ver­sification with the statement that "...there is no established principle of English versification/'Eut this statement may a

The Stanza
We have defined rhythm as more or less regular alternations of simi­lar units. Of the units of verse rhythm the following have been named: the syllable, the foot, the line and finally the stanza.

Free Verse and Accented Verse
Verse remains classical if it retains its metrical scheme. There are, however, types of verse which are not classical. The one most popular is what is called "vers libre" which i

B) Lexical and Syntactical Features of Verse
The phonetic features of the language of poetry constitute what we have called its external aspect. These features immediately strike the ear and the eye and therefore are easily discernible; but t

EMOTIVE PROSE
The substyle of emotive prose has the same common features as have been pointed out for the belles-lettres style in general; but all these fea­tures are correlated differently in emotive prose. The

LANGUAGE OF THE DRAMA
The third subdivision of the belles-lettres style is the language of plays. The first thing to be said about the parameters of this variety of belles-lettres is that, unlike poetry, which, except f

B. PUBLICISTS STYLE
The publicist i*c s tу I e of language became discernible as a sepa­rate style in the middle of the 18th century. It also falls into three va­rieties, each having its own distinctive features. Unli

ORATORY AND SPEECHES
The oratorical s ty I e of language is the oral subdivision of the publicistic style. It has already been pointed out that persuasion is the most obvious purpose of oratory. "Oratoric

THE ESSAY
As a separate form of English literature the essay dates from the close of the 16th century. The name appears to have become common on the publication of Montaigne's "Essays", a literary

JOURNALISTIC ARTICLES
Irrespective of the character of the magazine and the divergence of subject matter—whether it is political, literary, popular-scientific or satirical, all the already mentioned features of publicis

C. NEWSPAPER STYLE
N e w s paper style was the last of all the styles of written literary English to be recognized as a specific form of writing standing apart from other forms. English newspaper writing dat

ADVERTISEMENTS AND ANNOUNCEMENTS
Advertisements made their way into the British press at an early stage of its development, i.e. in the micHTth century. So they are almost as old as newspapers themselves. The principal fu

THE HEADLINE
The headline (the title given to a news item or an article) is a dependent form of newspaper writing. It is in fact a part of a larger whole. The specific functional and linguistic traits of the he

THE EDITORIAL
The function of the editorial is to influence the reader by giving an interpretation of certain facts. Editorials comment on the political and other events of the day. Their purpose is to give the

D. SCIENTIFIC PROSE STYLE
The language of science is governed by the aim of the functional style of scientific prose, which is to prove a hypothesis, to create new concepts, to disclose the internal laws of existence, devel

E. THE STYLE OF OFFICIAL DOCUMENTS
There is one more style of language within the field of standard lit­erary English which has become singled out, and that is the s ty le of official d о с и т е п t s, or "officialese", a

FINAL REMARKS
This brief outline of the most characteristic features of the five lan­guage styles and their variants will show that out of the number of fea­tures which are easily discernible in each of the styl

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